Homeland Episode 401 with Claire Danes as Carrie Mathison

‘Homeland’ is back – and I’m on board

DG Creations, Reviews, Screening of Life, TV, Writing

True confession time: I have tried intermittently to get into “Homeland” since its debut, but never could. Too political or too something. In any case, not for me.

Until now. The first two episodes of Season 4, both airing tonight, had me on the edge of my seat. It was like a much better version of “Zero Dark Thirty” from an early episode bombing strike onward.

And Claire Danes, who will always have a place in my heart as Angela in “My So Called Life,” is riveting as Carrie Mathison. Maternity has not softened the CIA operative; she is as complex and devoted to her work as ever.

When her boss (playwright Tracy Letts!) inquires about the mental well being of another operative (Rupert Friend’s Quinn) fresh from the field, Danes’ Carrie urges understanding.

“Give him some time – he was right in the middle of it,” she responds.

“Yeah,” her boss says, “so were you.”

But Carrie isn’t like everyone else, as surely everyone knows by now. People keep asking the Drone Queen whether she’s ever troubled when tactics go wrong, and she deflects.

“I try to see the big picture – the mission,” she responds after one such inquiry.

“Homeland” took some knocks last season, which saw the death of Damian Lewis’ turncoat officer Nick Brody, the father of Carrie’s child. Whether or not disappointed fans will be ready to see the larger creative picture is up to them.

I just know I’m completely on board.

“Homeland” Season 4 debuts on Showtime at 8 p.m. ET/PT

No season pass for ‘How to Get Away With Murder’

DG Creations, Reviews, Screening of Life, TheWrap, TV, Writing

how-get-away-murder-viola-davis-abc-premiereI was SO ready to like “How to Get Away With Murder,” the latest project from Shonda Rhimes, but the premiere left me wanting. Viola Davis was riveting, but the plotting was disjointed and the student characters callow.

Maybe that will improve with time. But I’m not ready to devote a season pass to it yet.

Here’s my review for TheWrap.

'Capitalism': Can you take it to the bank?

movie review, Movies, Writing

capitalismYou know what I wish? I wish that Michael Moore weren’t such an obvious manipulator of the facts. He’s such an unreliable narrator that it gets in the way of my enjoyment of his films.

Latest case in point: “Capitalism: A Love Story,” which I saw at the L.A. premiere Tuesday night. The provocateur rails against the government’s handling of the finance crisis in typical fashion: He satirizes the powers that be and tugs the hearts strings with stories of average working folk afflicted by corporate malfeasance.

Moore blames the government for its cozy relationship with Wall Street in particular and big business in general. According to “Capitalism,” things began falling apart when Ronald Reagan was elected president; deregulation and mindless focus on profits laid the seeds for the economy’s collapse last year. Further, he presents archival footage of FDR suggesting none of this had to happen: The ailing president apparently wanted to enact a second Bill of Rights stipulating the right to a decent wage and healthcare before he died. Moore told the premiere audience that this footage had been purposefully suppressed; even FDR’s library didn’t know it existed.